Naver and Daum Portals: Analysis of American Contents

           Curious about how our country’s direction towards America is shown through these online portals that impact more than half of our country’s population, I looked at the content patterns of Naver and Daum portraying America, its culture, and bodies over 30 days period between 17 February and 20 March 2023.

Graph 1

Graph 2

           Graphs 1 and 2 show that Daum had more content depicting American bodies, culture, or events than Naver in most sections. The sections of entertainment and webtoons (online cartoons) had a pattern of having almost no American content displayed over the 30 days. Meanwhile, the international news, living, and movie sections exposed American content that took up to 40% of the pages. These two patterns indicate what content South Korea can provide, and what Korean users seek and consume the most on these sections.

           As Jayeon Lee (2016) writes, visuals have more power than text in grasping the viewer’s attention by translating complex contents into more easily accessible forms and getting remembered longer than text in the viewer’s mind, influencing their “impression and judgment” (p.2). As images hold such effects, what gets displayed on portals influences the cognition of half of the South Korean population. Yet, I noticed that the image the content creators of portals use only depicts small fragments of the US.

           The news, economics, and books sections on portals were similar in emphasizing the American economists or politicians, almost all white cis-male figures in middle age, wearing button-down shirts and darker-colored suits. During my interviews, the younger individuals shared how they noticed the whiteness emphasized in the media we produce in South Korea, especially in the fields of TV series and webtoons. As H. Ryu pointed out, most figures, especially the cis-female bodies, were portrayed with “a pale white skin” on the webtoon sections on Naver and Daum (Personal interview. 17 February 2023). My interviewees and I discussed how many of the bodies we see on South Korean webtoons are drawn in style mimicking the Western figures, particularly the Caucasian bodies with white skin, light-colored eyes, and light-colored hair. We also discussed how the bodies we see on the TV series produced in our country preferred to put out their leading figures with white, tall, and thin appearances. Y. Ha pointed out that our country’s trend of tanning one’s skin in the 2000s changed to getting whiter skin in the 2010s and that there are numerous dermatology places in Seoul where people, particularly young female bodies, get white jade injections백옥주사 to make their skin color turn white (Personal interview. 24 March 2023). All three interviewees in their 20s and 30s emphasized how our country’s celebrities with their white skins shown on our popular media still are recognized as the standards for looks and that the South Korean webtoon industry that has grown big over the past decade now also put out the white body with lighter colored hair stereotypes.

           It is challenging to conclude that the whiteness emphasized in South Korean popular media is directly linked with the image of American figures. However, the patterns of showing the cis-gendered white figures from America and the image of the elites indicate what these portal curators want to make their users pay more attention to. Sangmin Kim (2022) states in his research that Naver and Daum have a growing number of consumers outside our country who use the portals to view webtoons and TV series. This means that the stereotypes of the white bodies that portals put out are not only leaving visual traces on the South Korean population but also on users from other countries, and further, suggesting the trend and direction of following the white bodies that South Koreans like to take.

           H. Ryu and I discussed how likely it is for South Koreans to link these images of white figures with America, especially for those who never went to the US physically. Ryu described how the use of social media, such as YouTube and Instagram, has played a vital role in showing her a more accurate image of America (Personal interview. 18 February 2023).

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Graph 4

           As the international news sections had the highest average of displaying American content, I took a closer look at their headlines and images. As shown in Graphs 3 and 4, the international news sections had press articles on the US covering anywhere between 30% and 90%, suggesting South Korea’s dependency on the US politically and economically. The days where it had high percentages, such as at the beginning of March, was when the US government or the Federal Reserve System made significant announcements, leaving a great impact on South Korea. Most headlines on usual days emphasized the New Cold War narrative and the US government’s position towards China, Russia, and Ukraine. Such news all came with images of white figures, usually male bodies in their 50s and 60s, depicted as elites, similar to those shown in books and economy sections.

           From the white bodies to the images of the elites, Naver and Daum have been building stereotypes in their users’ minds regarding the image of the US and, further, the West. As my interviewees discussed, such bodies being portrayed often in South Korean TV series and webtoons (online cartoons) suggest the bodies South Koreans have become familiar with and the figures that South Koreans look up to the most. In a country where values from the US are power, such visual patterns portraying mostly white and elite figures from the US have the danger of leading its users to recognize such ones as bodies of power. Further, when a South Korean has an image of America built through such stereotypical visuals from our local platforms or content, and their expectation does not meet the reality, one can go through a “culture shock” when they experience actual America in person, as several interviewees expressed.